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Ludwig Moser developed a lead-free sodium-potassium glass that is more ecologically friendly than lead glass yet is extremely hard; it remains the basis of their products. The inauguration ceremony involved choosing a snifter, whose shape matched the physiognomy of the future Giant Snifters Club Member, and making it 'dance'. The founding of the Giant Snifters Club was an event of huge social significance for Moser glass. The festival prize's latest look is from 2000, when the IFF team's initial idea was perfected by photographer Tono Stano. Moser Glassworks is traditionally the exclusive supplier of the unique festival prizes, which have changed several times over the decades. From the middle of 20th century, the Moser Glassworks had a very close relationship with film and film stars.

• In 1927 Leo Moser’s technological innovation and artistic sagacity, especially his effort to find a select and exclusive face for Moser’s production, brought cooperation with Berlin’s specialist in the area of chemical glass colors.
• A year later Moser expanded the series with the purple-red Royalit and 1932 saw the entry of the golden-yellow Eldor.
• Today the glasswork’s relationship with film and its creators has been confirmed by it being a partner of the festival in Karlovy Vary, which is annually attended by many artists and film buffs from around the world.
• The set was gradually presented at the international film festival in Cannes, Karlovy Vary and Sorrento.
• Thus, the nickname of the Moser glassworks spread to Glass of Kings and King among Glass.
• Even in the late 19th century colored glass didn’t play as significant a role in Moser’s product range as it does today.

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• In Bohemian glassworks, the colorless, clear and hard potash glass was typically and traditionally used, as it was particularly suitable for processing and decoration through grinding and engraving.
• Later also for Pope Pius XI, the Turkish sultan Abdul Hamid II., and the king Luís I of Portugal and his wife, Maria Pia of Savoy.
• From the middle of 20th century, the Moser Glassworks had a very close relationship with film and film stars.
• You can use the Google Translate app to translate written words or phrases.
• Moser is one of the most collected of 20th century decorative glass and has been used everywhere from palaces to local restaurants.
• Besides having four retail outlets in the Czech Republic, two in Prague and two in the company’s hometown Karlovy Vary, one of which is in the famous Grandhotel Pupp, and one in Dubai Design District, Moser has a worldwide network of retailers.

A year later Moser expanded the series with the purple-red Royalit and 1932 saw the entry of the golden-yellow Eldor. Colored molten glass began to find prominence in Moser's production with the advent of the Art Nouveau style. In the year 1947, Czechoslovakian President Edvard Beneš gifted a monogrammed Splendid set to future Queen of England Elizabeth II.

Glass of Kings and King among Glass

From its beginnings in 1857, as a polishing and glass engraving workshop, it developed into a lead-free glass manufacturer lasting through the 20th century until the present. Moser is one of the most collected of 20th century decorative glass and has been used everywhere from palaces to local restaurants. Is a luxury glass manufacturer based in Karlovy Vary, Czech Republic (previously Ludwig Moser & Sons in Bohemia, Austria-Hungary).
Partially green, violet and sometimes orange, pink or blue layered vases and goblets created backgrounds for deeply engraved compositions of plant motifs. Ever since Ludwig Moser founded the glassworks in 1893, its main priority was mainly crystal glass. Even in the late 19th century colored glass didn't play as significant a role in Moser's product range as it does today. Thus, the nickname of the Moser glassworks spread to Glass of Kings and King among Glass. In 2007, the anniversary of the Queen's diamond wedding, more cups and a bowl were added to the set, offered to the Queen by the Czech President Vaclav Klaus during an audience at Buckingham Palace. The slogan Moser – the king of glass originated in January 1869, when the director of the Vienna Museum for Art and Industry Rudolf Eitelberger issued a certificate about the perfection of Ludwig Moser's glass.
Later also for Pope Pius XI, the Turkish sultan Abdul Hamid II., and the king Luís I of Portugal and his wife, Maria Pia of Savoy. In that year, Moser became an official supplier of glass to Vienna for the Austrian Imperial Court of Franz Joseph I. Since slotrize casino no deposit bonus 1901 for the Persian Shah Mozaffar ad-Din Shah Qajar and from 1908 for King Edward VII of England. Its quality was also confirmed by the medal from 1873 Vienna World's Fair.

MOSER oryginalny i sygnowany wazon z lat trzydziestych XX wieku

Later, having sold their company shares in the company in 1938, they fled the county after areas of Czechoslovakia were annexed. The depression of the early 1930s exacted its toll, reducing its staff to 240, eventually Leo resigned from the company in 1932. The Art Nouveau designs of heavily engraved lilies and the Fipop series from c1914 were some of the most notable pieces. Following the death of his father in 1916, Leo Moser took over the direction and the company expanded significantly resulting in their recognition by a Grand Prize award at the Paris International Exhibition of Decorative Art in 1925. Art Nouveau glass pieces were produced by Moser with surface decoration with natural themes and simple cameo glass.

Moser (glass company)

The original company Moser glassworks, founded in 1857 by Ludwig Moser in Karlovy Vary (called Karlsbad at the time), was a glass workshop initially devoted to polishing and engraving glass blanks; only later did the company begin designing and making its own art glass products. Today the glasswork's relationship with film and its creators has been confirmed by it being a partner of the festival in Karlovy Vary, which is annually attended by many artists and film buffs from around the world. The set was gradually presented at the international film festival in Cannes, Karlovy Vary and Sorrento. In 1923 he added the yellow-green Radion colored with uranium compounds and at the same time black Hyalith glass, though only in small amounts. The prize, whose basis is created by Moser's glass blowers, also plays a lead role in the festival's opening shorts, which launch the film festival's programs every year. Their color changes depending on artificial or daylight – Heliolit, changing from sandy yellow to green, purple-violet of Alexandrit and yellow-green of Prasemit.
You can use the Google Translate app to translate written words or phrases. The People’s Choice category of Czech Grand Design 2012, awarded by the Academy of Design of the Czech Republic, went to Lukáš Jabůrek for his design of the Pear vase. Moser's US distribution company was established in Northern Virginia in 1957. Besides having four retail outlets in the Czech Republic, two in Prague and two in the company's hometown Karlovy Vary, one of which is in the famous Grandhotel Pupp, and one in Dubai Design District, Moser has a worldwide network of retailers. A factory museum shows the 150-year story of the company in more than 2,000 pieces on display, supplemented by documentaries and audio guides.

The result of a two-year experiment, and a series of test smelts, were special, completely new types of molten glass colored with oxides of rare earths (neodymium, praseodymium). After 1915, he introduced basic glass colors into regular production, they are given attractive gem names – purple Ametyst, dark green Smaragd, brownish-yellow Topas and cobalt-blue Saphir. In Bohemian glassworks, the colorless, clear and hard potash glass was typically and traditionally used, as it was particularly suitable for processing and decoration through grinding and engraving. Because of its international reputation, the company was able to retain some independence during the communist era while the rest of the Czech glass industry was nationalised in 1948 (Crystalex).

A crisis in the sales of luxury brand glass was averted by returning the shops in Prague and Karlovy Vary to the glassworks. First, by means of the Giant Snifters, Moser glass found itself in the immediate vicinity of film stars. In 1927 Leo Moser's technological innovation and artistic sagacity, especially his effort to find a select and exclusive face for Moser's production, brought cooperation with Berlin's specialist in the area of chemical glass colors. He experimented with melting copper colored ruby red glass, and in 1915 showcased the first collection of thick-walled heavy monochrome vases with regular facet cuts at the Modern Czech Glass exhibition in Prague. A substantial turn towards the use of colored glass, however, come after 1908, when Leo Moser took up the position of technical director.
Several cheaper lower quality derivatives of the Fipop designs were produced by other companies and between 1927 and 1933 two American glassmakers made copies calling them Woodland and Deerwood. In 1915 the company exhibited at the Panama-Pacific International Exposition and was again awarded a medal, which Louis Comfort Tiffany and Charles Tuthill thought well deserved due to the outstanding quality of the hot glass applied decorations on coloured Bohemian glass. The company is known for manufacturing stemware, decorative glassware (such as vases, ashtray, candlestick), glass gifts and various art engravings. Although the brand was patented in the 1960, the tradition of the Club, which accepted important personalities of the cultural, political and sports world, goes back to 1957 when the set was designed. Great credit in increasing the prosperity of foreign trade with glass must go to the shop's director, František Chocholatý, who, thanks to his diplomatic skills, acquired many business and social contacts, which the glassworks used for many years.